Artist: Yard Act
Album: The Overload
Label: Zen F.C.
Genre: Alternative/Indie
Comments: From the promoter: "Spanning 11 entirely new tracks, The Overload is a record that rages with Yard Act’s inimitable wit, musical dexterity, and tasteful curation. Littered with Yard Act’s signature dark humour and knowing cynicism, The Overload pokes fun at society without ever punching down from a place of superiority. “Lyrically, I think it’s a record about the things that we all do - we're all so wired into the system of day to day that we don't really stop and think about the constructs that define us,” says Smith. “But also beyond that, it's kind of exciting, because there’s still so much we don’t understand; how a hive mindset is forged, how information spreads, how we agree and presume things without thinking. Some people think more than others, but a lot of this sloganeering - ‘I'm on the left, I'm not wrong’ - doesn't achieve anything. Gammons, Karens, Snowflakes, whatever – I find it all so boring. I'm just not into that.”
Spearheaded by James Smith (vocals) and Ryan Needham (bass), the now four-piece, completed by Sam Shjipstone (guitar) and Jay Russell (drums), have built a sound that speaks inherently to their birthplace of Leeds, West Yorkshire, and yet ties together observations from all walks of modern British life – the small-town bloke in the local pub, the anti-capitalist stuck at a desk job, the tired activist in all of us torn between easy complicity and the desire to fight.
Having grown from relatively casual pub acquaintances to housemates, Smith and Needham found living together to be conducive to a high work rate, racking up demos in quick succession. Settling into a system of programming, looping and layering, the alchemy between the two created a base from which to build their narrative world. “Ryan is a vibe guy, whereas I overthink everything,” laughs Smith. “It’s been the greatest creative partnership I've ever had. When you find a groove that works, it just kind of looks after itself.”
With just three hometown shows under their belt, world events intervened. But rather than letting the pandemic derail them, Yard Act set up their own imprint, Zen F.C. and across the course of 2020 and into early 2021 released four increasingly coruscating, hilariously dark singles with ‘The Trapper’s Pelts’, ‘Fixer Upper’, ‘Peanuts’ and Dark Days’ all securing BBC 6 Music airplay, and despite the circumstances developing a remarkable, ever-increasing fanbase.
Pulling off a debut album in a pandemic isn’t easy, but somehow, Yard Act has made it work. Recording with Ali Chant (PJ Harvey, Perfume Genius, Aldous Harding) at his Bristol studio, those prolific demos have been sharpened down into something that speaks to the times we live in, creating a statement of intent that survives on nuance – a record of retro influences, recorded in a modern way. The Overload is a political record, but in the same way that all great observations of human nature are – a messy, complex, knowingly hypocritical snapshot of our current state of play."
RIYL: Fontaines D.C., Fat White Family, Courting, Working Men's Club
Recommended Tracks: 3, 9
DNP: 1, 2, 4, 5, 7, 8, 10, 11
Recommended Tracks: 3, 9
DNP: 1, 2, 4, 5, 7, 8, 10, 11
No comments:
Post a Comment